Prof. Derek P. Royal

ENG 442 – Survey of American Literature II

 

American Realism

 

Realism as a movement in American literature spanned roughly the last third of the nineteenth-century, and in many ways was a reaction to much of the earlier romantic and sentimental fiction.  It differed from American romanticism in that it:  1) avoided the symmetry, balance, and contrived plots that defined much of the earlier fiction, 2) avoided undue emphasis on idealized settings and social situations, 3) attempted to shift from imaginative sensibility and Emersonian optimism (with its valuing of intuition, the privileging of the “noble savage,” and an emphasis on the independent Jeffersonian agrarian).  Influenced in many ways by the work of French writers Honoré de Balzac and Gustave Flaubert, American realists were chiefly concerned with the commonplaces of middle-class life. Philosophic pragmatism, a school of thought concerned with the practicality of everyday life, was also an influence on many of these writers.  Charles S. Peirce (who coined the term “pragmatism” in 1878), one such proponent, believed that value and meaning in life are significant only with a recognition of their utility and consequences.  Many realist writers attempted to describe life without idealization, subjective prejudice, or romantic color.  Those considered realist (in one way or another, and some arguably) include William Dean Howells, Henry James, Harriet Beecher Stowe, Mark Twain, Sarah Orne Jewett, and Kate Chopin. 

 

American Realism resulted from, among other things:

·         the “closing” of the western frontier—the transcontinental railroad was completed in 1869

·         a new generation of writers who lived in Europe after the Civil War and who were influenced by realism (in art as well as in literature)

·         the effects of the Civil War:

·         different regions of the country, once unfamiliar to American writers, were now exposed

·         this first modern war demanded a more realistic treatment of its subject matter¾common people, not “aristocratic” warriors, were seen as heroes

·         the war was seen as a triumph of American principles, which helped in the call to a new American literature

·         the war unleashed forces of industry¾mass production, technological innovation, national profits¾and became a stable market for foreign capital

·         industrialization, immigration, and urbanization

·         the growth of technological innovations such as the telephone (invented in 1876) and the automobile, whose popularity in the 1890s saw much growth

·         social transformations that affected the authors personally¾had grown up to adulthood in an antebellum America, but had to confront rapid and disruptive changes in this new world

 

Some of the general features of Realism include:

·         an adherence to common everyday life

·         a belief that details are important in an of themselves¾details make fiction seem like life

·         a deemphasizing of literary symbols¾symbols in a narrative are limited to ideas within the text, not to larger external truths

·         a rejection of absolute truths¾moral truths are always relativistic

·         pragmatic attitudes toward life

·         the need to expose the false and repressive nature of many commonly held beliefs and assumptions

·         a valuation of toughness and competence and an admiration of “the pro”

·         an anti-elitist attitude¾a literature about and for the common person

·         characters that have mixed motives and are fallible, and whose choices reflect the lives of everyday people

·         characters that grow and/or decline in the text, and respond to their social contexts¾“character” is a process that develops as the text moves along, not an inherent way of being

·         characters who are not types, but specific and unique; uniquely personal

·         an attempt to understand characters, never to judge them¾the narrator never intrudes to judge or moralize